Las óleos de todo Chase, William Merritt


Choice ID Image  Painting (From A to Z)       Details 
18940 A Friendly Visit  A Friendly Visit   1895.
23269 A Friendly Visit (nn03)  A Friendly Visit (nn03)   1895 Oil on canvas 76.8 x 122.5 cm 30 1/4 x 48 1/4 in National Gallery of Art Washington DC
18942 Dorothy  Dorothy   1902, oil on canvas, Indianapolis Museum of Art
18937 Early Morning Stroll  Early Morning Stroll   1887-91, oil on canvas, private collection
18938 Hide and Seek  Hide and Seek   1888, oil on canvas, Phillips Collection, Washington D.C.
18934 In the Studio  In the Studio   1882, oil on canvas, The Brooklyn Museum
18932 In the Studio Corner  In the Studio Corner   1881, oil on canvas, Canajoharie Library and Art Gallery, New York
18936 Long Island Landscape after a Shower of Rain  Long Island Landscape after a Shower of Rain   1885-89, oil on canvas, Indianapolis Museum of Art.
18941 Portrait of Kate Freeman Clark  Portrait of Kate Freeman Clark   1902, oil on canvas, Kate Freeman Clark Art Gallery.
18939 Shinnecock Hills  Shinnecock Hills   1891, oil on panel, Wadsworth Atheneum, Hartford
18944 Still Life with Brass Bowl  Still Life with Brass Bowl   1903, oil on canvas, Indianapolis Museum of Art
18935 The End of the Season  The End of the Season   1885, pastel on paper, Mount Holyoke College Art Museum, South Hadley, Mass.
18945 The Orangerie  The Orangerie   1910, oil on cradled panel
18933 The Tenth Street Studio  The Tenth Street Studio   1881-82, oil on canvas, Henry E. Huntington Art Collections & Botanical Gardens
18946 Woman in White  Woman in White   1910, oil on canvas, Indianapolis Museum of Art.
18943 Woman of Holland  Woman of Holland   1903, oil on canvas.

Chase, William Merritt
American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),



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